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Maplands
https://amygoodchild.substack.com/embed
Maplands is a long-form generative art project I released on fxhash on 5th Jan 2022. It sold out 256 pieces in exactly 2 minutes.
This article contains background about the process of making Maplands, some information about techniques I used, and a guide to the features.
Making MAPLANDSMaplands was initially a paper drawing. When the list of prompts for Genuary came out some time in late 2021, I saw that Day 1 was “Draw 10,000 of something” and I thought it would be fun/funny to do...
Pretty much all I want in life…
https://amygoodchild.substack.com/embed
….is to make things and then have other people look at those things and be like "woah, cool."
I tweeted this the other day and it seemed to strike a chord with a lot of people so here I am, expanding on it.
The making and the showingFirst off, let’s note that both halves of that tweet are super important. Having other people look at the stuff I make is not just about getting a bit of feedback or the endorphin hit of notifications and likes.
Nope, for me, the audience experience is...
dERIVATIVE – The Making of the Film
https://player.vimeo.com/video/458135379
Made of shapes, colours and a bit of story, dERIVATIVE is a short
film I’ve directed for a wonderful Mixpoint Studio in Prague. It follows
through a row of visual transformations and is likely to be more a work
of motion design than classical CG animation. The project was a
months-long effort and this time I had a chance to personally craft
every single pixel of the final film – what has really helped me is a
compositing-centered workflow which I’d like to talk about in this
tutorial.
It’s not uncommon among the film and animation 3D artists to overlook...
Album Cover: Lullatone - Music for Museum Gift Shops. Naoko...
Album Cover: Lullatone - Music for Museum Gift Shops. Naoko Mizota. 2019
Building a (new) beginning
I am currently head over heels in preparing my very first art portfolio and because of iOS way of cataloguing the camera roll – (I work with 3 devices each with its own directory) – I collated new work in individual folders as back up..
Leaving me with a massive task to do: reconciling, sifting and deleting all duplicates.
From 55k down to 10k just for my iPad Pro. Still got 7k+ from iPhone + iPad mini to sort after the 10k are done. View my art feed.
So for now – I am minimizing my editorial activities to a strict minimum.
Netdiver Mag...
Creative success?
Margaret Zhang on the secrets of creative success by Hunger
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Margaret Zhang is an Australian-born-Chinese director, photographer, consultant and writer based between New York and Shanghai.
She models, styles, writes, directs in front and back of cameras, made her film debut – There’s no Space in C # Minor – in which she plays the piano brilliantly.
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She also earned double degrees in commerce and law and is widely recognized as one of the most influential millenial – though she is not fond of the naming..
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Her intelligence and depth of thought have comforted me while going through a tough spot in my...
Terrific UX/UI
Teresa Wójcicka is an illustrator and graphic designer based in Gdansk, Poland. And a terrific UX/UI designer. Love love the Saga Map simplicity.
Japanese Exhibition Poster: WEEK. Sho Shibuya. 2018
Japanese Exhibition Poster: WEEK. Sho Shibuya. 2018
Japanese Poster: Kobo Abe - Starving Unions. Yu Miyazaki. 2009
Japanese Poster: Kobo Abe - Starving Unions. Yu Miyazaki. 2009
FLOW – The Making of the Film
https://player.vimeo.com/video/302922203
FLOW is a short art film I’ve started mid-summer at Mixpoint – a post-production house which kindly bears with me as their resident CGI director. Few images like those Juno photos got me seriously captivated at the time; I was also deep into commercial tabletop photography with their thick, vividly textured imagery of mixing liquids of all sorts – a grossly overlooked form of art. On top of that, there’s been a bunch of technical stuff I was looking to play with for ages, so here’s the resulting mix, shaken and stirred for your viewing pleasure (and then over-compressed beyond...