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Image #8692 :: formalista

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Image #8691 :: formalista

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Image #8690 :: formalista

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Image #8689 :: formalista

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Image #8688 :: formalista

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Image #8687 :: formalista

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Image #8686 :: formalista

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Image #8685 :: formalista

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Emergence and Generative Art

https://amygoodchild.substack.com/embed

Sometimes, a system is more than the sum of its parts. Simple rules and behaviours at an individual level can lead to complex and surprising phenomena at a macro level. This is emergence - common in the natural world and in generative art.

  PART ONE: EMERGENCE

Let’s take a look at some definitions:

 

"You have this very simple set of rules that doesn't look like it's going to do anything interesting, but (...) these large...

Amy Goodchild
Posted at 2022-06-07 10:55:11 | Art_and_design | read on

Packing & Expanding Polygons : An ongoing exploration

https://amygoodchild.substack.com/embed

I've been packing lots of irregular polygons into the canvas, and discovered some interesting (and some annoying) geometry along the way.

  Collisions 101

I started out detecting collisions in the same way as in my project Maplands, which you can read about in detail here.

Here’s how the collision checking worked:

Create a potential new polygon, with a path of points as the outline.

Check distances from each new point to all the points in existing polygons.

If any points are too close, discard that new polygon and try again.

This method...

Amy Goodchild
Posted at 2022-05-04 16:10:43 | Art_and_design | read on
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***

Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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