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A Red Geometry on the Atlantic Ridge

High on a ridge above Portugal’s Atlantic coast, Casa Plaj appears almost imagined: a red geometry in a green expanse, elemental yet precise. Designed by Lisbon-based extrastudio for a young family, the holiday house is both retreat and experiment – built slowly, iteratively, in high attunement to wind, light and time. Its creation captures a [...]

The post A Red Geometry on the Atlantic Ridge first appeared on Interiorzine.com.

InteriorZine
Posted at 2025-08-26 15:49:12 | Art_and_design | read on

Single-Family Home from the 1920s Transformed by VAUST Studio

Located in Berlin’s Karlshorst Rheinisches Viertel, RPA19 reimagines a single-family home from the 1920s as a site of subtle transformation. With approximately 200 square metres of floor space, the residence underwent a radical yet respectful spatial reorganization. Walls were removed to open up the view and merge spaces, particularly around the kitchen and dining area, [...]

The post Single-Family Home from the 1920s Transformed by VAUST Studio first appeared on Interiorzine.com.

InteriorZine
Posted at 2025-08-25 16:25:37 | Art_and_design | read on

Minimal Form, Maximum Adaptability

What might a table look like when weight, assembly, and use are considered from the inside out? One possible answer is Pipo by Gumpo, a design that strips away excess material and structure while preserving a sense of solidity through proportion and geometry, creating a duality between scale and lightness. At first glance, Pipo appears [...]

The post Minimal Form, Maximum Adaptability first appeared on Interiorzine.com.

InteriorZine
Posted at 2025-08-19 15:36:17 | Art_and_design | read on

Closing the Loop: Building Shapes with a Planar Graph

https://amygoodchild.substack.com/embed

There’s some fun computational geometry in my latest artwork, and in this article I’ll walk through how I take a scramble of disconnected paths and turn them into closed shapes, using half-edges and a planar graph.

...

Amy Goodchild
Posted at 2025-08-16 17:33:03 | Art_and_design | read on

Liberal Arts

For The New York Times: “This Is Who’s Really Driving the Decline in Interest in Liberal Arts Education”, written by Jennifer Frey.

Masha Krasnova-Shabaeva
Posted at 2025-07-23 16:15:32 | Art_and_design | read on

Eyeworks

An illustration for a poster for ‘Eyeworks’, a curated screening series focusing on experimental animation. 

Masha Krasnova-Shabaeva
Posted at 2025-07-23 16:11:05 | Art_and_design | read on

Decentering

For De Volkskrant: Stella Bergsma’s essay on decentering men and putting women into the spotlight.

Masha Krasnova-Shabaeva
Posted at 2025-07-23 16:08:52 | Art_and_design | read on

Beautyland

For The New York Times: a review of ‘Beatyland’, a novel by Marie-Helene Bertino.

Masha Krasnova-Shabaeva
Posted at 2025-07-23 15:54:45 | Art_and_design | read on

Atlantic Reading

For The Atlantic: “The Elite College Students Who Can’t Read Books”, written by Rose Horowitch.

Masha Krasnova-Shabaeva
Posted at 2025-07-23 15:52:11 | Art_and_design | read on

Humility

For The New York Times: “The Most Important Thing I Teach My Students Isn’t On The Syllabus” by Frank Bruni.

Masha Krasnova-Shabaeva
Posted at 2025-07-23 15:48:02 | Art_and_design | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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