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Of Enso adds listening bar to New York boutique Colbo
New York clothing store Colbo has expanded its Lower East Side space to create a wine and vinyl bar, which design studio Of Enso has wrapped in stainless steel and stained wood.
Colbo Next Door is an extension of the retailer's Orchard Street home, taking over the adjacent space to create a community gathering space.
Colbo Next Door is an extension of the Colbo boutique on New York City's Orchard StreetThe team collaborated with Of Enso founders Yuria Kailich and Joel Harding on the interior, which "mirrors the intimacy and spirit of the existing Colbo storefront while introducing new layers of experience".
In...
Atami House / Noforma Design Studio
architects: Noforma Design StudioLocation: Shizuoka, JapanProject Year: 2025Photographs: Area: 240.0 m2
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Rehabilitation of Casa P. Colina / DARP - De Arquitectura y Paisaje
© Mauricio Carvajal architects: DARP - De Arquitectura y PaisajeLocation: Medellín, ColombiaProject Year: 2025Photographs: Mauricio CarvajalArea: 250.0 m2
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Aatismo references ceramic glazes for streaked house extension in Japan
Rough walls streaked with clay, soil and metal powders evoke ceramic glazes at Haniyasu House, a home in Japan renovated by local architecture studio Aatismo.
Named Haniyasu House after the Japanese gods of earth, clay and pottery, the dwelling in the coastal town of Kamakura was designed for two founders of Aatismo, Keita Ebidzuka and Eriko Masunaga, and Ebidzuka's parents, both of whom are ceramic artists.
Aatismo has completed a streaked house extension in JapanThe project saw the single-storey home, originally built in 1967, stripped back to its timber frame after a typhoon had left it structurally unsound.
Aatismo extended and reinforced this...
leləm̓ Community Center / Francl Architecture
© Michael Elkan architects: Francl ArchitectureLocation: Vancouver, CanadaProject Year: 2025Photographs: Michael ElkanArea: 1403.0 m2
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Seven tactile living spaces with blockwork walls
Our latest lookbook collects homes with warm, bright and tactile living spaces that are set against a backdrop of concrete blockwork walls.
Spanning the US, Australia and Japan, these examples include a concrete-block home in Melbourne, designed to reference local farmhouses, and an understated and "robust" beachside residence in Cornwall.
This is the latest in our lookbooks series, which provides visual inspiration from Dezeen's archive. For more inspiration, see previous lookbooks featuring heavenly home interiors, restaurant interiors and stylish wine bars.
Photo courtesy of Roberts Gray ArchitectsSKI House, New Zealand, by Roberts Gray Architects
Local studio Roberts Gray Architects designed SKI House for...
Gunia Project Showroom / Temp Project
© Yevhenii Avramenko architects: Temp ProjectLocation: Kyiv, UkraineProject Year: 2025Photographs: Yevhenii AvramenkoArea: 180.0 m2
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Зачем тебе вникать, ты же женщина
Несколько дней назад обсуждали с коллегой по работе некоторый технический затык в реализации дизайна. Она сказала, что не до конца поняла, в чём там сложность, потому что когда пыталась обсудить с разработчиком, он ей сказал что-то вроде «Зачем тебе вникать, ты же женщина». И это она не жаловалась мне, а просто объяснила, почему пока не разобралась.
Меня эта ситуация ввела в ступор. Как это вообще возможно, как язык может повернуться такое сказать? Но я заметил, что сама коллега звучала куда менее удивлённой. Это лишний раз напоминает, что подобный комментарий для девушки, к сожалению, не из ряда вон выходящее событие, а часть жизни, никаких эмоциональных сил не хватит каждый раз охреневать от этого.
Вот бы такого становилось поменьше.
Legacy in Matter: Material Traditions in South American Architecture
Children Village / Rosenbaum + Aleph Zero. Image © Leonardo Finotti
Across South America, architecture endures through the materials it uses, those that persist over time. Bamboo, brick, wood, and concrete appear across regions, connecting climate, labor, and culture in ways that ensure their persistence through generations. Their continuity does not depend solely on preservation or heritage. It depends on use.
In this context, cultural memory does not reside primarily in monuments or images, but in practice. It survives in repeated gestures: laying bricks, tying guadua joints, assembling wood frames, casting slabs...