Кнопка «На главную» на пустом экране

Хочу разобрать с вами вот такой пример с недавней рабочей встречи. Экран с актами, которые можно посмотреть, подписать, скачать и всё такое. Но пока актов ещё нет, дизайнер предлагает показывать кнопку «На главную»:

Я прошу убрать эту кнопку, но мне непросто это объяснить. Казалось бы, кнопка поставлена из лучших побуждений. Всё, что человеку тут нужно — прочитать и уйти. Логично и заботливо дать ему кнопку для этого в удобном месте. В конце концов, разве не я сам учу думать о пользователях?

Первая ассоциация, которая мне приходит в голову — кнопки «Наверх» внизу длинных веб-страниц плохих сайтов. Бороться с ними тоже всегда было очень тяжело. Дизайнеры, предлагающие их, уверены, что помогают пользователю, и все вокруг слушают их доводы и не готовы слышать никаких других. Ну как же...

Where Home Lives. Personal Illustrations

This is a curated selection of personal illustrations connected by a single theme ? home. Each piece explores this idea from a different perspective, touching on memory, longing, comfort, seasons, familiar places, and quiet moments of belonging. Together, they form a personal visual reflection on what home means beyond a physical place.

Dorte Mandrup designs Danish crafts college as "living textbook"

Danish studio Dorte Mandrup has used a palette of exposed brick and timber to create the elliptical form of The Crafts College in Herning, which is designed for aspiring craftspeople in Denmark.

The college on the outskirts of Herning is the second of three planned across Denmark by non-profit Fonden for Håndværkskollegier and funded by real estate company BRFfonden to boost interest and experience in manual trades.

Housed within a large, elliptical ring that wraps a communal courtyard, The Crafts College combines affordable accommodation and teaching spaces for seventy aspiring craftspeople.

"The Crafts College is a...

Anthony Timberland Center / Grafton Architects

© Tim Hursley architects: Grafton ArchitectsLocation: Fayetteville, United StatesProject Year: 2025Photographs: Tim HursleyArea: 3900.0 m2

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Grundtvigs Kirke

Grundtvig's Church in Copenhagen stands as a quiet monument of expressionist church architecture. Designed by Peder Vilhelm Jensen-Klint and completed in 1940, the building is formed entirely from yellow Danish brick, translating Gothic verticality into a restrained, modern language where structure and surface become one. The west façade rises as a sculptural sequence of stepped gables, its rhythm continuing into the interior through pointed arches and soaring brick vaults. Space unfolds through repetition and proportion, guided by light that moves gently across textured surfaces. Ornament is absent; instead, material, scale, and craftsmanship define the atmosphere. This photographic series approaches the church as...

Dezeen's favourite wooden furniture and lighting from January

Hand-carved lamps and NM3's debut timber furniture are among the striking woodwork pieces spotted by Dezeen's design and interiors reporter Jane Englefield over the past month.

When Dezeen spoke to interior designers about their trend predictions for 2026, creatives were united in forecasting less processed and more honest materials – chief among them wood.

The following pieces are a selection of recently designed furniture, lighting and accessories that demonstrate the versatility of timber, which continues to stand the test of time.

NMNG by NM3

Since its founding in 2020, Milan studio NM3 has been causing a stir with its distinctly utilitarian...

Dezeen In Depth examines rebuilding efforts following the LA wildfires

This month's Dezeen In Depth newsletter checks up on rebuilding efforts in LA and features an interview with this year's Serpentine Pavilion designers, Lanza Atelier. Subscribe to Dezeen In Depth today!

Architects on the ground have warned that hasty rebuilding after the 2025 Los Angeles wildfires could risk repeating the disaster. Dezeen US editor Ben Dreith reports.

The latest edition of Dezeen In Depth also features an opinion piece by Catherine Slessor on future cities and an interview with Lanza Atelier.

Dezeen In Depth

Dezeen In Depth is sent on the last Friday...

The Long Table as a Spatial Protocol: Designing Conditions for Gathering and Pause

The Dining Room Installation / i/thee . Image © Neal Lucas Hitch

A long table can sit almost anywhere and still do the same work. It can stretch beneath a market canopy, run along a school dining hall, or occupy the center of a shared living room, and it immediately changes the room's temperature.

That is why the long table is less an object than a spatial instrument. It does not guarantee a connection, and it rarely looks "inclusive" by default. Instead, it sets conditions: a shared edge, a common rhythm...

Illustrating Social Change

Commissioned by KOSTAT, the national statistical office of Korea, this series of three illustrations was created for a public communication campaign addressing transportation in Seoul, digital training for older adults, and energy efficiency in housing.

This week we revealed the winner of the Royal Gold Medal

This week on Dezeen, we revealed that Irish architect Niall McLaughlin has been named the recipient of the 2026 Royal Gold Medal for architecture awarded by the Royal Institute of British Architects.

McLaughlin, who is the founder of Niall McLaughlin Architects, was recognised by the Royal Institute of British Architects (RIBA) "for the resounding impact he has had on the profession".

In an interview with Dezeen, McLaughlin said that a focus on creating meaningful architecture united all of his projects.

"I think people want buildings to be meaningful," he told Dezeen. "Okay, I know that sounds almost trite, but it's true that people want to...