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Bratnie Dusze/Kindred Spirits by Sebastian Szmyd

We are not that different, after all.

Some more Zorza worldbuilding and exploration, plus practicing painting simplified faces for crowds.
Unfortunately, no AI was harmed in the making of this picture.

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Sebastian Szmyd on ArtStation



Detail 1


Detail 2


Detail 3


Process gif. I'm using the most sophisticated design methodology known to man: "RANDOM BULLSHIT, GO!"

Sebastian Szmyd on ArtStation
Posted at 2023-01-07 22:20:37 | Illustrations | read on

"Far Lands" - personal project by Artem Chebokha

For several years I wanted to come up with a coherent series for myself, in which I could implement some of my ideas, combining the concept art of locations (and characters maybe) and illustrations, experimenting with media and getting new experiences. And at the same time also tell some story. I wanted to create a world that I could explore, travel in and learn something new for myself.
These are the first works from such a series, which I called "Far lands", I hope not the last, lol.
In short, this is a story about explorers, scientists and enthusiasts, pioneers of unknown...

Artem Chebokha on ArtStation
Posted at 2022-12-21 22:16:46 | Illustrations | read on

Bonfire (A thought about AI on Artstation ) by Artem Chebokha

For the past few days, a hurricane has been raging in our sphere. I think I'll speak out too, in case anyone is interested in my opinion.

I know that my artworks has also been used in the training of the most popular AI's models, and I saw how people put my nickname in a thier prompts. Ok. I am not a begginer into the Internet and I know that everything here can be stolen by someone. I uploaded my pictures to the Internet and of course they can be downloaded and used by any unscrupulous users, ignoring the copyright. I...

Artem Chebokha on ArtStation
Posted at 2022-12-16 17:03:44 | Illustrations | read on

Screw AI thieves by Sebastian Szmyd

Not much else to say here beyond what's in the title.

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Sebastian Szmyd on ArtStation


Sebastian Szmyd on ArtStation
Posted at 2022-12-14 11:41:14 | Illustrations | read on

Rusałki znad Liwca by Sebastian Szmyd

Spirits of the Liwiec river. Playful, curious and dangerous.

Sloooowly building the Zorza world.

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Sebastian Szmyd on ArtStation



A version without the title


Process gif. Despite the fact that I'm always trying to have a specific design and then executing it, I barely ever do it this way. I usually end up making things up as I go...


Detail 1


Detail 2

Sebastian Szmyd on ArtStation
Posted at 2022-12-07 19:41:39 | Illustrations | read on

Meadows by Sebastian Szmyd

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Sebastian Szmyd on ArtStation



Detail

Sebastian Szmyd on ArtStation
Posted at 2022-10-16 17:25:23 | Illustrations | read on

"Above The Abyss" by Artem Chebokha

IMPASTO - My Digital Oil Technique tutorial:
https://artstn.co/m/waxo

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Artem Chebokha on ArtStation


Artem Chebokha on ArtStation
Posted at 2022-10-07 17:49:15 | Illustrations | read on

"Homo Violentus" by Artem Chebokha

The monster can't create anything. It only can rape, kill and destroy.

IMPASTO - My Digital Oil Technique tutorial:
https://artstn.co/m/waxo

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Artem Chebokha on ArtStation


Artem Chebokha on ArtStation
Posted at 2022-09-30 17:52:13 | Illustrations | read on

What's Ahead of Us by Sebastian Szmyd

Exploring designs and overall mood for the comic

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Sebastian Szmyd on ArtStation



Sebastian Szmyd on ArtStation
Posted at 2022-08-29 11:36:02 | Illustrations | read on

The Paths Not Taken by Sebastian Szmyd

A mood concept for my comic

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Sebastian Szmyd on ArtStation



A version without the title

Sebastian Szmyd on ArtStation
Posted at 2022-08-07 20:24:50 | Illustrations | read on
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***

Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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