Access granted by Alex Andreev

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Alex Andreev on ArtStation
Posted at 2024-12-18 08:42:36 | Illustrations | read on

LearnFromMasters YouTube channel

If, like me, you enjoy YouTube videos about art and artists, you may have come across a number of slideshow style videos showcasing the art of historic painters.

In many of these, if not the majority, the creator of the videos seems compelled to add motion — panning, zooming and using transitions that flip, swipe, rotate, dissolve into blocks and otherwise try to be “entertaining”. It’s a video, so things have to move, right?

While I appreciate the effort invested in gathering and presenting the images in these presentations, as soon as I realize it’s one of those, I click away in...

Lines and Color
Posted at 2024-12-15 21:38:14 | Illustrations | read on

Zasadzka na nadbużańskich moczarach/Ambushed in the mire by Sebastian Szmyd

Stary woj Jegiel, rusałka Wilżanka i pogodowy skrzat Płanetniczek w tarapatach na nadbużańskich mokradłach.
Jegiel, an old warrior, Wilżanka, a nymph, and a small weather spirit Płanetniczek drawn into the mire of the Bug river.

Gouache on paper, A3 format.

The Zorza world is slowly taking a more tangible shape The main characters so far are:
- Wilżanka (her name means, more or less, "daughter of the oriole"), a river spirit/nymph (well, a rusalka);
- Jegiel, an old, one-armed warrior and also partially a spruce tree;
- Płanetniczek, a small weather spirit, under whose hat it never stops raining.

More is coming soon

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Sebastian Szmyd on ArtStation
Posted at 2024-12-14 20:17:11 | Illustrations | read on

Brock Larson

Brock Larson is a contemporary American painter living in Minnesota. On his website you will find landscape and still life paintings along with portrait drawings.

In his landscapes, Larson often pulls us into the shadowy depths of deep woods, while at others times leading us out onto broad fields and expanses of water.

Brock Larson is the son of well-known painter Jeffery T. Larson.

Lines and Color
Posted at 2024-12-13 15:19:54 | Illustrations | read on

Awkward Crew by Michael Black

Hello.
I am happy to introduce you to some of the unaccepted characters I designed while working on a cartoon style sci-fi project a couple of years ago.
I would hate for this work to get lost on my hard drive. I hope you enjoy it.
Copyright NetEase

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Michael Black on ArtStation
Posted at 2024-12-10 17:26:08 | Illustrations | read on

Prize Game by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2024-12-08 17:57:32 | Illustrations | read on

"Inevitable Fading" by Artem Chebokha

OPEN FOR WORK: art.rhads@gmail.com
tutorial about my photoshop technique:
https://artstn.co/m/waxo
Prints:
https://www.artstation.com/rhads/prints

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Artem Chebokha on ArtStation


Artem Chebokha on ArtStation
Posted at 2024-12-07 00:00:37 | Illustrations | read on

Eye Candy for Today: Carl Theodor Reiffenstein castle

Weite Landschaft mit idealer rheinischer Burg (Wide landscape with an ideal Rhenish castle), Carl Theodor Reiffenstein, oil on canvas, 18 x 14 inches (45 x 36 cm)

This landscape painting by the 19th century German painter is a perfect example of counterchange — the reversal of value relationships between a shape or object and the background against which it’s set. In this case the dark against light at the top of the castle becomes light against dark in the center of the base.

See James Gurney’s excellent explanation of the principle in his 2008 post: Counterchange.

Lines and Color
Posted at 2024-12-06 01:10:18 | Illustrations | read on

Left from this lane by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2024-12-01 20:11:08 | Illustrations | read on

Black Rider by Alex Andreev

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Alex Andreev on ArtStation
Posted at 2024-11-30 18:28:57 | Illustrations | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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