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Eye Candy for Today: Auguste Lepere etching

Old Housea at Amiens, Auguste Lepère, etching. This is in the collection of the National Gallery of Art in DC, which has a high resolution downloadable and zoomable image file. For some reason, they don’t list the etching’s physical size. My guess from the size of the needle marks would be around 5×7″ (13 x 18 cm) or so.

Louis-Auguste Lepère, a French paintinter and printmaker active in the late 19th and early 20the century, was a prolific printmaker, producing etchings, wood engravings and lithographs.

For me this etching just radiates visual charm. At first glance, it looks straightforward enough, but when...

Lines and Color
Posted at 2026-01-22 16:19:52 | Illustrations | read on

"The Wind. Remake" by Artem Chebokha

This is a remake of an artwork I created 15 years ago. Crazy how much time has passed — it feels like it was just yesterday. Is that what getting old feels like? haha
OPEN FOR WORK: art.rhads@gmail.com
tutorial about my photoshop technique:
https://artstn.co/m/waxo
Prints:
https://www.artstation.com/rhads/prints

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Artem Chebokha on ArtStation



Artem Chebokha on ArtStation
Posted at 2026-01-20 18:14:23 | Illustrations | read on

Concept art for the film "Buratino"


Concept art for the film "Buratino" produced by Vodorod Film Company

Alex Andreev | A Separate Reality
Posted at 2026-01-19 11:19:59 | Illustrations | read on

Concept art for the film "Buratino," produced by Vodorod Film Company by Alex Andreev

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Alex Andreev on ArtStation
Posted at 2026-01-19 11:12:31 | Illustrations | read on

yellow by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-01-18 15:46:02 | Illustrations | read on

Eye Candy for today: Jean-Etienne Liotard pastel portrait

Portrait of Maria Frederike van Reede-Athlone at Seven Years of Age, Jean-Étienne Liotard, pastel on vellum, 22 x 18 in. (55 x 45 cm), in the collection of the Getty.

18th century Swiss artist Jean-Étienne Liotard gives a beautiful demonstration of the sensitivity and finess possible in pastel.

There is a subtle teture throughout, likely from the nature of the surface, which is natural vellum (a parchment made from calf skin, as contrasted with the modern use of the term to simply indicate a mild texture of paper or board).

Lines and Color
Posted at 2026-01-13 00:57:25 | Illustrations | read on

A Separate Reality 29


Alex Andreev | A Separate Reality
Posted at 2026-01-11 18:37:58 | Illustrations | read on

Memphis by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-01-11 18:20:25 | Illustrations | read on

Serge Pelle

Serge Pellé is a French comics artist known best for his work on the science fiction series Orbital (Amazon link), along with writer Sylvain Runberg.

Pellé’s dramatic scenes of futuristic structures, often in deep perspective and extensive detail, are set off by imaginative spacecraft designs intense lighting and otherworldly creatures.

It’s an entertaining series available in the US in an English translation ,published by Cinebook. I think there are eight volumes in total.

Pellé doesn’t appear to have a dedicated website, but there is an extensive selectin of his work on the Character Design References website.

Lines and Color
Posted at 2026-01-09 19:54:55 | Illustrations | read on

Book illustration by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-01-09 13:01:53 | Illustrations | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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