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constellation by Alex Andreev

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Alex Andreev on ArtStation
Posted at 2026-03-30 07:25:34 | Illustrations | read on

Eye Candy for Today: Edward Seago scene of Rome

Ponte Sant’Angelo, Rome, Edward Seago; 20 x 30 in. (51 x 77), link is to Bonham’s auction from 2019. I assume it’s currently in a private collection.

Edward Seago, a British painter active in the early to mid 20th century, is one of my favorite landscape painters. I particularly love his brushy, painterly application of paint, as is evident in this view of the famous bridge in Rome.

Lines and Color
Posted at 2026-03-28 23:39:24 | Illustrations | read on

Emilio Ocón y Rivas

Emilio Ocón y Rivas was a 19th century Spanish artist specializing marine subjects, perhaps unsurprisingly as he lived in Malaga, the bustling port city on Spain’s Medterranean coast. He is considered responsible for founding the School of Marine Artists there.

He had a particular touch for atmosphere and his paintings show the moods of the sea, sunny and tranquil, stormy and dark.

Cautionary note to contemporary painters: Ocón died of lever disease brought on by the ingestion of paint – due to his habit of bringing his brushes to a point in his mouth.

Lines and Color
Posted at 2026-03-27 23:20:27 | Illustrations | read on

lamp by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-03-25 20:26:35 | Illustrations | read on

gap in a double solid road marking line by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-03-23 07:48:44 | Illustrations | read on

Eye Candy for Today: Mucha’s The Seasons: Spring

Alphonse Mucha, who is the most widely recognized figure of the style we know as Art Nouveau, at one time called “Le style Mucha”, created three series of posters in which he portrayed the fourseasons as young women surrounded by elements associated with the season.

This is his interpretaion of Spring from the first of these series (and my favorite), published in 1896. This epitomizes all of the grace and decorative flair we associate with the Czech artist.

There is a page devoted to the work in the Mucha Foudaiton website.

Taking that image as my cue for color fidelity, I found an...

Lines and Color
Posted at 2026-03-20 23:25:50 | Illustrations | read on

10 000 by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-03-19 12:52:10 | Illustrations | read on

shelf by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-03-16 11:33:43 | Illustrations | read on

Wilżanka i Radek by Sebastian Szmyd

Rusałka Wilżanka i flisak Radek
River nymph Wilżanka and raftsman Radek

Gouache on paper, A3

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Sebastian Szmyd on ArtStation


Not the final text, but this is roughly what I had in mind when planning the composition.


No text version


I usually paint a small colour study for each piece, sometimes more than one if I'm not sure about the overall mood. Here I had a pretty clear idea of what I wanted. The top one is a sketch for a previous piece :)


Initial digital sketch to figure out the general 3D blocks.


Pencil drawing before shading.


Pencil drawing after shading.


I usually do a...

Sebastian Szmyd on ArtStation
Posted at 2026-03-15 14:50:30 | Illustrations | read on

an express train arrives on the second route by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-03-14 20:13:56 | Illustrations | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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