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"Outrenoir" by Artem Chebokha

Cover illustrations for Marc J. Gregson's books I made in 2024 and 2025.
OPEN FOR WORK: art.rhads@gmail.com
tutorial about my photoshop technique:
https://artstn.co/m/waxo
Prints:
https://www.artstation.com/rhads/prints

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Artem Chebokha on ArtStation




Artem Chebokha on ArtStation
Posted at 2025-10-06 09:33:34 | Illustrations | read on

Minna Sundberg

Minna Sundberg is a Danish comics artist and illustrator with a lively, visually charming style.

In the illustrations featured in her DeviantART portfolio and the portfolio of her work on Character Design Reverences, I find a fascinating tendency to work with strategically limited palettes.

Sundberg is the author and artist of a number of webcomics. Several are complete, including Stand Still Stay Silent, A Redtail’s Dream, Lovely People and A Meandering Line.

As of this writing, she has one in progress Journey Upstream. The latter two are Christian themed.

Lines and Color
Posted at 2025-10-04 21:02:30 | Illustrations | read on

How The World’s Most Expensive Colors Are Made

This YouYube video from Business Insider goes into the history and making of several of the most expensive artist pigments and materials.

I found the first 10 minutes particularly of interest for going into greater depth than usual in describing the mining and refinement of Lapis Lazuli, the semi-precious stone used to make the original Ultramarine Blue – a pigment more expensive by weight than gold (as opposed to the inexpensive synthetic French Ultramarine Blue that we commonly use today).

Lines and Color
Posted at 2025-10-04 19:36:00 | Illustrations | read on

"The Core" by Artem Chebokha

OPEN FOR WORK: art.rhads@gmail.com
tutorial about my photoshop technique:
https://artstn.co/m/waxo
Prints:
https://www.artstation.com/rhads/prints

View this on ArtStation
Artem Chebokha on ArtStation


Artem Chebokha on ArtStation
Posted at 2025-10-03 20:42:56 | Illustrations | read on

Eye Candy for Today: Christian Molsted canal scene

The Canal at Holmes Bridge, Christian Mlested, oi on canvas, roughly 38 x 34 inches ( 96 x 87 cm).

Image is sourced from Wikipedia. This painting was auctioned in 2011; I assume it’s currently in a private collection.

Danish painter Christian Molsted, who was active in the late 19th and early 20th centuries, gives us a view of a canal and bridge in horizontal light, with a strong sense of depth. Deep shadows in the foreground make the sunlit buildings, bright sky and reflections in the water look even brigter, and lead us back into the painting.

I particularly like the range...

Lines and Color
Posted at 2025-09-29 19:36:21 | Illustrations | read on

Vanda Lehel. Back and Forth. 2025

Vanda Lehel. Back and Forth. 2025

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-29 17:00:36 | Illustrations | read on

Inge Morath. Gloria Vanderbilt. New York City. 1956I Am...


Inge Morath. Gloria Vanderbilt. New York City. 1956

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-28 21:00:25 | Illustrations | read on

Anonymous. Painter at work. New York City. 1925I Am Collective...


Anonymous. Painter at work. New York City. 1925

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-28 20:00:31 | Illustrations | read on

Yang Yankang. Buddhism in Tibet. 2009I Am Collective...


Yang Yankang. Buddhism in Tibet. 2009

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-28 19:00:39 | Illustrations | read on

Jan Bishop. Untitlied. 2025

Jan Bishop. Untitlied. 2025

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-28 18:00:29 | Illustrations | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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