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Ansel Adams. Portrait of Brassaï. Yosemite, California. 1973I Am...


Ansel Adams. Portrait of Brassaï. Yosemite, California. 1973

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-26 21:00:43 | Illustrations | read on

Liu Tao 刘涛. A Weak Road n°58. 2012I Am Collective...


Liu Tao 刘涛. A Weak Road n°58. 2012

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-26 20:00:24 | Illustrations | read on

Monika Denevan. Galleon, BurmaI Am Collective Memories   •   ...


Monika Denevan. Galleon, Burma

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-26 19:00:26 | Illustrations | read on

Vittorio Valverde. Pier Paolo Pasolini. 1960sI Am Collective...


Vittorio Valverde. Pier Paolo Pasolini. 1960s

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-26 18:00:29 | Illustrations | read on

Jack Delano. Dennis DeCosta, Farm Security Administration client...


Jack Delano. Dennis DeCosta, Farm Security Administration client and his family. Rhode Island. 1940

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-26 17:00:24 | Illustrations | read on

For something completely different. This is a song I made with SUNO, purely for my own enjoyment. I…

For something completely different. This is a song I made with SUNO, purely for my own enjoyment. I thought you might enjoy it too

•

Night Mail

This is the night mail crossing the border
Bringing the cheque and the postal order
Letters for the rich
Letters for the poor
The shop at the corner and the girl next door
Scaling the summit
A steady climb
The gradient’s against her
But she’s on time
Past cotton grass and moorland boulder
Casting white plumes over her shoulder
Swift as an arrow she passes
Silent miles of wind-bent grasses

Birds turn their heads as she approaches
Stare from the bushes at her blank-faced coaches
Sheepdogs cannot turn her course
They slumber...

Semiotic apocalypse
Posted at 2025-09-25 22:39:01 | Illustrations | read on

Jean-Pierre Laffont. Sylvie Vartan on a pay phone. Manhattan,...


Jean-Pierre Laffont. Sylvie Vartan on a pay phone. Manhattan, New York. June, 1979

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-25 21:00:29 | Illustrations | read on

Bernard Plossu. Paris. 1973I Am Collective Memories   •   ...


Bernard Plossu. Paris. 1973

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-25 20:01:01 | Illustrations | read on

Keld Helmer-Petersen. Untitled. 1943I Am Collective...


Keld Helmer-Petersen. Untitled. 1943

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-09-25 19:00:36 | Illustrations | read on

"Twilight" by Artem Chebokha

OPEN FOR WORK: art.rhads@gmail.com
tutorial about my photoshop technique:
https://artstn.co/m/waxo
Prints:
https://www.artstation.com/rhads/prints

View this on ArtStation
Artem Chebokha on ArtStation


.

Artem Chebokha on ArtStation
Posted at 2025-09-25 12:52:16 | Illustrations | read on
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***

Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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