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Philippe Halsman. Julius Robert Oppenheimer. C. 1970I Am...


Philippe Halsman. Julius Robert Oppenheimer. C. 1970

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-17 19:00:24 | Illustrations | read on

Liu Tao 刘涛. A Weak Road n°110. 2012

Liu Tao 刘涛. A Weak Road n°110. 2012

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-17 18:00:35 | Illustrations | read on

Nikolay Khorunzhiy. New apartment. USSR. 1959I Am Collective...


Nikolay Khorunzhiy. New apartment. USSR. 1959

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-17 17:00:26 | Illustrations | read on

Holman Hunt’s The Lady of Shalott

The Lady of Shalott, William Holman Hunt, oil on canvas, roughly 74 x 58 inches ( 188 x 146 cm), in the collection of the Wadsworth Atheneum, in Hartford, CT. Link is to image file page on Wikipedia.

In Alfred Tennyson’s early 19th century poem of the same name, in a reference to the Arthurian legend, The Lady of Shalott is a young noblewoman who is cursed to remain in a tower on the Island of Shalott, in the River Cam near Camelot.

She is further cursed to conduct her brilliant art of tapestry weaving without even looking out of the window,...

Lines and Color
Posted at 2025-08-16 00:34:42 | Illustrations | read on

Eye Candy for Today: Francis Hopkinson Smith’s In the Woods

In the Woods, Francis Hopkinson Smith, watercolor and gouache on board, roughly 26 x 16″ ( 67 x 41 cm); in the collection of the Brooklyn Museum.

Smith was an American painter, author and engineer, whose accomplishments included the design and engineering for the base of the Statue of Liberty in New York Harbor.

In this 1877 painting he does an intimate study of two trees, one large, textural and dotted with fungus, the other a sapling with lacy foliage. I love how lightly suggested the background of the forest appears.

Lines and Color
Posted at 2025-08-11 17:01:00 | Illustrations | read on

The Artist’s Guide to Sketching

Most of us, artists or not, have some idea of what sketching is.

Sketching is a term associated with quickly realized, often rough and “unfinished” drawings (or paintings) that are meant to catch the essence of something without any unnecessary frills.

That simplistic explanation, however, doesn’t convey the unexpected effects of a regular sketching practice: a connection with nature and the visual world that can open our eyes and enrich our lives.

People who are not already inclined to sketch or draw may not realize that the experience of connecting to your surroundings through sketching is available to anyone, regardless of a lack...

Lines and Color
Posted at 2025-08-08 18:38:09 | Illustrations | read on

Solarpunk Cityscape by Daniele Turturici

I think anyone who stumbles across the Solarpunk genre ends up asking the same question: could a future like this really exist? A world where humans live in true harmony with nature, and tech is here to help us—not control us?

Even though today’s world feels more and more like a cyberpunk dystopia, my answer to that question is still: yes, absolutely.

Because honestly? We already have everything we need to build that kind of future. We just need to start imagining it—more and more.
Taking action is super important, of course. But being able to imagine something is the bare minimum...

Daniele Turturici on ArtStation
Posted at 2025-08-02 11:16:15 | Illustrations | read on

Dune Awakening by Sheng Lam

Got permission to show some of the work I've done for Dune Awakening in the past few years. I was responsible for exploring most of the vehicles along with my AD Kemp Remillard and a few prop assets as well. Very honored that I was able to be a part of this IP and it was such an incredible experience working on this!

AD: https://www.artstation.com/kempremillard

© 2025 Legendary. (Artwork created under license to Funcom Oslo AS)

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Sheng Lam on ArtStation
Posted at 2025-08-01 15:15:37 | Illustrations | read on

Warm Winter by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2025-07-02 15:23:42 | Illustrations | read on

Missile Gap by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2025-06-27 12:11:40 | Illustrations | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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