Feed Denis Kozlov on ArtStation [copy] https://kozlove.artstation.com/rss has loading error: cURL error 22: The requested URL returned error: 403

Jiří Horák. The Rhythm of Empty Houses. Hněvkovského Street,...


Jiří Horák. The Rhythm of Empty Houses. Hněvkovského Street, Brno, Czech Republic. 1984

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-23 17:00:38 | Illustrations | read on

Noel Rubie. Sono Osata, Ballets russes de Colonel W. de Basil....


Noel Rubie. Sono Osata, Ballets russes de Colonel W. de Basil. 1940

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-22 21:00:32 | Illustrations | read on

Geoff Strong. Global Repair. 1981I Am Collective Memories   •   ...


Geoff Strong. Global Repair. 1981

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-22 20:00:27 | Illustrations | read on

Anonymous. Prussian Baroness, Gisela Josephine von Krieger with...


Anonymous. Prussian Baroness, Gisela Josephine von Krieger with her 1936 Mercedes-Benz 540 K Roadster and the Hindenburg Zeppelin above. 1936

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-22 19:00:25 | Illustrations | read on

Bernard Plossu. Agostes. 1975I Am Collective Memories   •   ...


Bernard Plossu. Agostes. 1975

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-22 18:00:39 | Illustrations | read on

Keld Helmer-Petersen. Untitled. 1943I Am Collective...


Keld Helmer-Petersen. Untitled. 1943

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-22 17:00:28 | Illustrations | read on

20 Years of Lines and Colors

As of today, August 22nd, 2025, I have been writing Lines and Colors for 20 years!

It started on August 22nd, 2005 with an article on the Art Renewal Center.

On August 22nd, 2015, I celebrated with a post about the first 10 years, in which I gave a retrospective and described my aims in writing the blog. I’ll point you to that article rather than repeating things here, as my intentions haven’t changed.

For today’s post, I’ve taken a sample image from August 22nd (or as close as I can get) for each of the intervening years, oldest first. As is somewhat...

Lines and Color
Posted at 2025-08-22 02:05:10 | Illustrations | read on

Waterhouse’s other Lady of Shalott

‘I am half sick of shadows,’ said The Lady of Shalott, oil on canvas, roughly 40 x 29 inches (100 x 74 cm). Link is to image on Britannica.com. The original is in the Art Gallery of Ontario, Canada.

John William Waterhouse, a late 19th century English painter often associated with the Pre-Raphaelites who preceded him, is known in particular for his incredibly beautiful painting of the Lady Of Shalott floating downstream, in which she is depicted in an attempt to get to Camelot after triggering the curse she was under.

Waterhouse also painted another, less well known depiction of the literary...

Lines and Color
Posted at 2025-08-21 18:31:43 | Illustrations | read on

Anonymous. Autographed Portrait of Wilma Goich. 1970s

Anonymous. Autographed Portrait of Wilma Goich. 1970s

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-17 21:00:33 | Illustrations | read on

Paul Cohen-Portheim. The Caledonian Market, Islington, London. 1930s

Paul Cohen-Portheim. The Caledonian Market, Islington, London. 1930s

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-17 20:00:27 | Illustrations | read on
1 2 3 4 5 6 7 8 9 10 11 12 41

***

Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

Recently