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Shelter by Daniele Turturici

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Daniele Turturici on ArtStation


Daniele Turturici on ArtStation
Posted at 2026-01-09 12:11:28 | Illustrations | read on

Eye Candy for Today: Egyptian encaustic portrait

Portrait of the Boy Eutyches, Egypt, Roman Period, encaustic on wood panel, 15 x 8 in. (38 x 19 cm), in the collection of the Metropolitan Museum of Art.

What appears at first glance to be a sophisticated contemporary oil portrait, is, in fact, an encaustic painting that is roughly 2,000 years old.

Painted in Egypt during the time of Roman occupation, around 100 -150 C.E., this is a beautiful example of the durable and non-yellowing medium of encaustic. Pigment is suspended in hot wax, often augmented with linseed oil, cold wax, egg yolk or resins, and applied to a wood panel.

We...

Lines and Color
Posted at 2026-01-08 14:03:24 | Illustrations | read on

Nuclear by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-01-08 11:32:13 | Illustrations | read on

Dugald Stewart Walker

Dugald Stewart Walker was one of the less well known American illustrators active in the early 20th century, basically in the latter part of the “Golden Age” of illustraion.

His style was in keeping with other great illustrators of the time, notably, I think, those from Europe and the UK, like Edmund Dulac, Arthur Rackham, Kay Nielsen, Walter Crane, Charles Robinson, Harry Clarke and even Aubrey Beardsley.

Lines and Color
Posted at 2026-01-05 21:45:00 | Illustrations | read on

Eye Candy for Today: Charles Ethan Porter watercolor still life

Still Life with Corn, Charles Ethan Porter; watercolor on paper, 11 x 17 in, (27 x 43 cm); in the collection of the Metropolitan Museum of Art

Though watercolor and gouahe are common in botanical art, they are infrequently usesd for still life paintings. There’s something I particularly like about those that I’m familiar with, and it’s always a treat to come across some that are new to me.

Charles Ethan Porter was an American painter active in the late 19th and early 20th centuries who focused primarily on still life. Though he also painted in oil, here he uses textural qualities...

Lines and Color
Posted at 2026-01-04 03:10:41 | Illustrations | read on

Instantly disappearing dream by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-01-02 17:40:44 | Illustrations | read on

"The Quantum Revelations" by Artem Chebokha

OPEN FOR WORK: art.rhads@gmail.com
tutorial about my photoshop technique:
https://artstn.co/m/waxo
Prints:
https://www.artstation.com/rhads/prints

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Artem Chebokha on ArtStation


Cover art for book by Stuart Heinrich

Artem Chebokha on ArtStation
Posted at 2026-01-01 22:33:30 | Illustrations | read on

Feeding by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2025-12-29 11:32:59 | Illustrations | read on

Siderurgy by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2025-12-20 19:48:11 | Illustrations | read on

Ceramic 03 by Sheng Lam

- more things for Ceramic (still cooking on it)
- more non related drawings over the last few years

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Sheng Lam on ArtStation
Posted at 2025-12-03 14:11:29 | Illustrations | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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