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Solarpunk Cityscape by Daniele Turturici

I think anyone who stumbles across the Solarpunk genre ends up asking the same question: could a future like this really exist? A world where humans live in true harmony with nature, and tech is here to help us—not control us?

Even though today’s world feels more and more like a cyberpunk dystopia, my answer to that question is still: yes, absolutely.

Because honestly? We already have everything we need to build that kind of future. We just need to start imagining it—more and more.
Taking action is super important, of course. But being able to imagine something is the bare minimum...

Daniele Turturici on ArtStation
Posted at 2025-08-02 11:16:15 | Illustrations | read on

Flor Garduño. Rapto, Suiza. 2008I Am Collective Memories   •   ...


Flor Garduño. Rapto, Suiza. 2008

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-01 21:00:20 | Illustrations | read on

Brassaï. Untitled (Couple embracing on a stony ground)....


Brassaï. Untitled (Couple embracing on a stony ground). 1932-1935

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-01 20:00:35 | Illustrations | read on

Roger Fenton. Orientalist Group (detail). 1858I Am Collective...


Roger Fenton. Orientalist Group (detail). 1858

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-01 19:00:46 | Illustrations | read on

Bruno Bourel. In the courtyard. Budapest, Hungary. 1994I Am...


Bruno Bourel. In the courtyard. Budapest, Hungary. 1994

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-01 18:00:35 | Illustrations | read on

Berenice Abbott. Woman, wiring IBM 405 ‘Alphabetic...


Berenice Abbott. Woman, wiring IBM 405 ‘Alphabetic Accounting Machine’. 1958

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-08-01 17:00:25 | Illustrations | read on

Dune Awakening by Sheng Lam

Got permission to show some of the work I've done for Dune Awakening in the past few years. I was responsible for exploring most of the vehicles along with my AD Kemp Remillard and a few prop assets as well. Very honored that I was able to be a part of this IP and it was such an incredible experience working on this!

AD: https://www.artstation.com/kempremillard

© 2025 Legendary. (Artwork created under license to Funcom Oslo AS)

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Sheng Lam on ArtStation
Posted at 2025-08-01 15:15:37 | Illustrations | read on

Ming Hui Cheng. Fighting with rough sea. Taiwan. 2013I Am...


Ming Hui Cheng. Fighting with rough sea. Taiwan. 2013

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-07-30 21:00:32 | Illustrations | read on

Masahisa Fukase. Family Portrait. 1972I Am Collective...


Masahisa Fukase. Family Portrait. 1972

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-07-30 20:00:57 | Illustrations | read on

Anonymous. Dinner at the Marylebone Workhouse. London. С. 1901I...


Anonymous. Dinner at the Marylebone Workhouse. London. С. 1901

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2025-07-30 19:00:28 | Illustrations | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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