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Golden by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-03-14 08:45:58 | Illustrations | read on

Loïc Jouannigot

Loïc Jouannigot is a French illustrator with a charming children’s book style.

The drawing style is both precise and loose, with a pleasantly sketchy quality. There is much attention to detail, and in some cases complex scenes and environments.

Some are cut-aways, always a fun element, and many are populated with multiple animal characters. The color palette id nicely balanced between muted and brighter colors, and the oveerall effect is wonderfully suited to the drawing style and subject matter.

Jouannigot does not appear to have a dedicated website or blog, so I’ll send you to the gallery of his work on Character Design...

Lines and Color
Posted at 2026-03-13 18:40:37 | Illustrations | read on

Eye Candy for Today: Henry Farrer graphite drawing

Landscape by a Stream, Henry Farrer, graphite, 15 x 22 in. ( 36 x 56 cm), in the collection of the Morgan Library and Museum. Downloadable file on their website.

19th century English/American artist Henry Farrer gives us a beautifully delicate graphite landscape.

It looks carefully detailed, but on closer examination, reveals much in the way of apparently casual handling. The tree foliage is basically scribbles, as are the plants by the water, the tones of the distant trees looks roughly penciled in and much of the composition is left open.

Yet the composition, the strong V shape of the dominant tree and...

Lines and Color
Posted at 2026-03-07 23:33:46 | Illustrations | read on

Caspian Sea by Alex Andreev

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Alex Andreev on ArtStation


Alex Andreev on ArtStation
Posted at 2026-03-06 16:43:42 | Illustrations | read on

A pair of watercolor portraits by Ernesto Levorati

Two Framed Watercolor Portraits of Children, Ernesto Levorati. Currently in a private collection, images are from Bonham’s past auction from 2024. Bohanam’s gives the sheet size as 12 x 8″ (30 x 20 cm).

I just came across these two delightful watercolor portraits by 19th century Italian artist Ernesto Levorati by chance.

There is a wonderful delicacy to the softly textural applicaiton of watercolor. It appears to me to be in a dry brush technique, of the painstaking kind used for botanical illustration. It’s hard to be sure. It may just be granulating colors.

Whatever the technique, the end result is a soft,...

Lines and Color
Posted at 2026-03-01 03:28:45 | Illustrations | read on

Jane Bown. Henri Cartier-Bresson with Leica M3. Paris. 1957I Am...


Jane Bown. Henri Cartier-Bresson with Leica M3. Paris. 1957

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2026-02-08 22:16:28 | Illustrations | read on

Eric Thake (1957) BushrangerI Am Collective Memories   •   ...


Eric Thake (1957) Bushranger

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2026-02-08 21:30:37 | Illustrations | read on

Frank Horvat. Underground commuters. London. 1955I Am...


Frank Horvat. Underground commuters. London. 1955

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2026-02-08 20:46:29 | Illustrations | read on

Sandra Graham. Backstage. Susie, Plod n’ Breughel. 1975I Am...


Sandra Graham. Backstage. Susie, Plod n’ Breughel. 1975

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2026-02-07 22:16:29 | Illustrations | read on

Miss Amelia Earhart, copilot of the transatlantic plane...


Miss Amelia Earhart, copilot of the transatlantic plane Friendship, atop the roof of the Hyde Park Hotel in London, getting a view on June 26, 1928

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

Semiotic apocalypse
Posted at 2026-02-07 21:30:37 | Illustrations | read on
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Однажды китайский ученый Ли Хунь Янь обнаружил некоторую незначительную, однако, существенно отличающуюся от фона корреляцию между количеством псилоцибина потребляемого корфуцианскими медузами и характером передвижения оных по стенкам четырехсотлитровго шарообразного аквариума, установленного в лаборатории по случаю празднования сто второго полугодичного затмения от начала новой эры Сингулярного Прорыва. Недолго думая, Ли Хунь Янь приделал к щупальцам медуз источники излучения в видимом диапазоне но с разной длинной волны, заснял весь процесс шестью камерами с 48 часовой выдержкой, симметрично расставив последние вокруг сосуда, где резвились подопытные и через неделю собрал прелюбопытнейший материал, который, в свою очередь, лег в основу фундаментального труда, ныне известного, как теория полутретичных n-многообразий простой метрики Ли Хунь Янь, с которой (с некоторыми упрощениями и оговорками) я, по мере сил, постараюсь познакомить любопытного и пытливого читателя.

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